BIOART
REGENERATIVE RELIQUARY
Artist Amy Karle creates artwork using the body to explore what it means to be human through a unique negotiation of art, design, science and technology.
REGENERATIVE RELIQUARY
Artist Amy Karle creates artwork using the body to explore what it means to be human through a unique negotiation of art, design, science and technology.
THE BODY AND TECHNOLOGY:
A CONVERSATIONAL METAMORPHOSIS
A collection of drawings and enhanced prints made by hand and Artificial Intelligence exploring the use of AI, artificial neural networking and machine learning for health care applications and art and design.
MORPHOLOGIES OF RESURRECTION
Designed from portions extracted from the spine of the Smithsonian Institution’s 3D scan data of a Triceratops fossil, Morphologies of Resurrection imagines new forms based on extinct species, depicting hypothetical evolutions through technological regeneration and evolutionary computing.
Echoes From the Valley of Existence
The artwork reflects visitor’s bio-digital echoes through real-time body tracking, biometrics, and the mirroring of a person in digital form modified by current environmental conditions. The artwork offers the opportunity to leave messages and DNA for the future, creating an experience that prompts questions on the boundaries of human existence and bio-digital afterlife or “other life” in a technologically integrated future.
THE HEART OF EVOLUTION?
In the vision of a sci-fi relic of the future, The Heart of Evolution? by Amy Karle explores the heart as both a vital organ and as the organ associated with deep emotional feeling at a time where biotechnology and humanity merges.
THE HEART OF EVOLUTION?
In the vision of a sci-fi relic of the future, The Heart of Evolution? by Amy Karle explores the heart as both a vital organ and as the organ associated with deep emotional feeling at a time where biotechnology and humanity merges.
INTERNAL COLLECTION
Switching up conventions about the body and beauty, this series of garments based on anatomy shows representations of internal systems in wearable form. Merging fashion, biology and technology, artist and designer Amy Karle created these wearable art garments inspired by the human nervous system, lung, and ligaments.
BIOFEEDBACK
Amy Karle connects her body and consciousness to technology to create art, repurposing a Sandin Image Processor as an electrophysiological visualization device.
BIOFEEDBACK
Amy Karle connects her body and consciousness to technology to create art, repurposing a Sandin Image Processor as an electrophysiological visualization device.
RESONATION
Connecting her body and brain to a subwoofer and Chladni plate, Amy Karle turns bioinformatics into cymatics, generating bio-signals into visuals and sounds.
CRYSTALLIZATION
Studying how nature forms and grows while considering the role of salts in our bodies, earth and universe, and questioning “What is life in the
FEAST OF ETERNITY
“Feast of Eternity” depicts a human skull, which typically represents death and mortality in conjunction with the possibility of growth and life embodied in one piece.
ENMESHMENT
Technology is advancing faster than we can conceive of its impacts on humanity and the natural world. We have the tools and technology to save lives – but on the other hand, we don’t understand the implications of redesigning natural function, or who we will become because of it.
Cyborg Fashion
Envisioning biofashion in a post-natural world when our bodies and beings are altered by biotechnology, Artist Amy Karle created this unique collection of artworks made with AI tools, computer aided design, and by hand. This collection embodies and exemplifies this pivotal moment of Artificial Intelligence exploding into Art and Design, and into biotech. It questions who we could become through the modifications that these technologies bring with them, and dissolves boundaries of what physical and virtual life could be.